more reading re documentation, performance ontology, liveness, possibilities and responsibilities

  • Reason, Matthew. 2006. Documentation, Disappearance and the Representation of Live Performance. Palgrave Macmillan.
  • Bottoms, Stephen J, and Matthew Goulish. 2007. Small Acts of Repair: Performance, Ecology, and Goat Island. London: Routledge.
  • Etchells, Tim. 1999. Certain Fragments: Contemporary Performance and Forced Entertainment. London: Routledge.
  • Phelan, Peggy. 1993. Unmarked. London: Routledge.
  • Auslander, Philip. 1999. Liveness: Performance in a Mediatized Culture. London: Routledge.
  • Heathfield, Adrian. 2012. “Then Again.” In Perform, Repeat, Record, 27–35. London: Intellect Books.
  • Freeman, John. 2003. Tracing the Footprints. Lanham, MA: University Press of America.
  • Piccini, Angela, and Caroline Rye. 2009. “Of Fevered Archives and the Quest for Total Documentation.” In Practice-as-Research in Performance and Screen, edited by Ludivine Allegue, Simon Jones, Baz Kershaw, and Angela Piccini, 34–49. London: Palgrave MacMillan.
  • Kunst, B. (2012) ‘The Project Horizon: On the Temporality of Making’
  • Rye, C. (2003). Incorporating practice: A multi-viewpoint approach to performance documentation. Journal of Media Practice, 3(2), 115-123.
  • Ingold, T (2013). Making: Anthropology, Archaeology. Art and Architecture. London: Routledge.
  • Heathfield, Adrian, and Tehching Hsieh. 2009. Out of Now. London: Live Art Development Agency.

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