I understand a key aspect of any research process to be able to (eventually) respond to the question:
How does this research matter?
This is really about understanding how your practice-as-research might be framed – or indeed what frames it creates – and what the implications for those framings are. These frames might be practice as process, philosophical, gender, race (or any socio-political perspective), performance studies, performative, etc. I should add that frames aren’t necessarily discursive (but of course they might be).
What frame is most appropriate? This question depends on how you understand the nature of the practice (what is at its heart?). This is why iterations of the question, “What am I really doing?” are so important. Or perhaps, at this stage, “What have I really been doing?”.
I think there is a tendency in practice-as-research (although I’m not sure if more than in other research approaches) to not adequately address this question of why the work is important. I don’t mean important in some grand way, but rather how you understand your work to be contributing to the circulation of ideas, practices, and thinking that underpin artistic and/or scholarly work.
Yes, I think I’m repeating myself here. It’s early.